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Osgoode Home > Osgoode Digital Commons > News, History and Archives > Osgoode Artists > Blažević

2013-14 Artist in Residence: Cindy Blažević

Cindy Blažević is a Canadian-Croatian visual artist who uses photography to document private narratives within the shifting landscapes of larger social and political spaces, exploring themes of identity, authority and access. She has exhibited and taught both in Canada and Europe and has received numerous grants for her art collections and projects. Blending oral history with visual expression and employing collaborative and participative processes are key to her process. For more on Ms. Blažević’s past projects, see: http://cindyblazevic.com




Project: Through A Prison System, Darkly: Criminal Justice Through the Lens of Kingston Penitentiary

As Osgoode’s inaugural Artist in Residence, Cindy Blažević photographed Kingston Penitentiary, the birthplace of the federal correctional system, after it closed its doors in 2013. "Seeing KP at the end of its life, without prisoners, allows us to see artifacts of lives lived within the building as well as the inherent limitations not only of this particular institution, but of any prison," she said.

In order to better contextualize the photographs and what they might mean to different viewers, Blažević then collaborated with upper-year law students to create a legal and historical narrative for those images, focusing on the challenges facing the Canadian penal system.

The result is the photo-based artwork Through A Prison System, Darkly: Criminal Justice Through the Lens of Kingston Penitentiary, which appears on kingpen.osgoode.yorku.ca.

For the exhibition, a 600-square-foot installation of the photograph Colonialism, Continued 2013, was wrapped around the exterior of the Law School's east-facing glass structure. The image, which is on view until March 2016, is an illustration of a Plains-style teepee superimposed onto a photo of a small, enclosed prison yard – a place where Indigenous cultural practices would often take place inside Kingston Pen. The image references the problematic relationship between Aboriginals and the justice system, as well as systemic problems that have their roots in colonialism and its implementation of residential schools.

The following URL links directly to an audio narration by Jeffery Hewitt LLB’96, General Counsel to Chippewas of Rama First Nation who served as a McMurtry Visiting Clinical Fellow at Osgoode in 2013-14. Hewitt was one of 11 stakeholders interviewed for Blažević’s project.

Osgoode Artist in Residence 2013-2014: Cindy Blažević.

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  • The Bleach Treatment by Cindy Blažević

    The Bleach Treatment

    A blue-handled mop hangs, suggestively, from a birch tree and a wire for a hanging plant dangles, also suggestively, next to a stone seating area inside prison grounds.

  • The Modern Correctional Officer by Cindy Blažević

    The Modern Correctional Officer

    Toilet cubicles in the metal workshop hint at some of the shared issues that staff (correctional officers) and prisoners face. Muskoka (Adirondack) chairs and pink lawn chairs, used by guards, sit in front of an admin building in a courtyard.

  • The Sound of Segregation by Cindy Blažević

    The Sound of Segregation

    The interior view of the control post for the Dissociation Unit and Involuntary Segregation Unit. The green- and red-lit buttons control the cell doors, limiting interaction (and basic human contact) between prisoners and guards and between prisoners themselves.

  • Use Of Force by Cindy Blažević

    Use Of Force

    An upward view of the Dome. Beneath, three plastic, prisoner-designed, prisoner-made chairs (incapable of splintering or hiding contraband) sit in front of a notice board covered with the signatures of departing correctional officers.

  • Watchdogging by Cindy Blažević

    Watchdogging

    A notice/reminder/warning to visitors and prisoners is taped to the window inside the Visitation and Correspondence Room.

  • Why The Caged Bird Sings by Cindy Blažević

    Why The Caged Bird Sings

    A mint-coloured birdhouse with red trim sits in the courtyard of a cellblock within view of prison cells.

  • Who Wears the Stab-Proof Vest in the Family by Cindy Blažević

    Who Wears the Stab-Proof Vest in the Family

    A guard command post inside the Dome (the central point of the prison) is modeled after the principles of Jeremy Bentham's Panopticon (left). The gas canister inside the command post (right) would typically be used to quell a riot. KP has had four significant riots in its nearly 200-year-old history.

  • Melting Pot by Cindy Blažević

    Melting Pot

    Three cells painted by their inhabitants inside the recently shuttered Kingston Penitentiary.

 
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